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Pop’s musicianship stood out as more than a gutsy punk-rock attitude. “I was very dissatisfied and looked at all of my influences - my love for Béla Bartók or King Oliver or 1940s and ’50s R&B - and that wasn’t what Bush Tetras was about.” “When I first left Bush Tetras in ’83, one reason was that I felt we’d gone as far as we could,” Mr. That’s what made the Bush Tetras a little more accessible.” I guess I kind of destroyed no wave by putting a 4/4 beat to it. Pop recently told The Village Sun, “became central to our sound. Key to the band’s dub-struck groove was their leather-jacketed drummer, Dee Pop, whose tight playing laced some soul into the nihilism of the no wave era. The female-fronted quartet, often clad in headbands and leopard-print scarves, played a danceable breed of post-punk rooted in jagged guitar hooks and funky rhythms. Amid the fray emerged the moment’s must-see band, Bush Tetras, who disbanded just four years later but left a profound impact on the scene. and 8 Eyed Spy led the charge, playing nightly at venues like the Mudd Club, Tier 3 and CBGB. Bands like the Contortions, Liquid Liquid, D.N.A. Some 40 years ago, an avant-garde punk movement was rumbling from the underground scene below 14th Street. His brother, Tom Papadopoulos, said the cause was heart failure. Dee Pop, a drummer who first found grimy rock stardom as a founding member of the underground New York band Bush Tetras during the no wave and post-punk scene of the late 1970s, and who later became an elder statesman of the city’s alternative music community, died on Oct.